Free Lyrics 2026

Alan Jackson ~ Who I Am


(harley allen/mel besher) Well i know you hate my drinkin' And the way i talk sometimes But you hate it most when i don't call at night And it's just because you love me And you worry 'bout your man You do the best you can with who i am Burnin' both ends of a candle Can leave one in the dark And i know what i put you through Is hard upon your heart And it's just that you're concerned for me Sweetheart, i understand You do the best you can with who i am You go to church on sunday While i'm still home in bed Sleepin' off the night i had before And sometimes you say i'm perfect And sometimes not worth a damn You do the best you can with who i am Burnin' both ends of a candle Can leave one in the dark And i know what i put you through Is hard upon your heart And it's just that you're concerned for me Sweetheart, i understand You do the best you can with who i am You do the best you can with who i am more free lyrics

(harley allen/mel besher)

Well i know you hate my drinkin'
And the way i talk sometimes
But you hate it most when i don't call at night

And it's just because you love me
And you worry 'bout your man
You do the best you can with who i am

Burnin' both ends of a candle
Can leave one in the dark
And i know what i put you through
Is hard upon your heart
And it's just that you're concerned for me
Sweetheart, i understand
You do the best you can with who i am

You go to church on sunday
While i'm still home in bed
Sleepin' off the night i had before

And sometimes you say i'm perfect
And sometimes not worth a damn
You do the best you can with who i am

Burnin' both ends of a candle
Can leave one in the dark
And i know what i put you through
Is hard upon your heart
And it's just that you're concerned for me
Sweetheart, i understand
You do the best you can with who i am
You do the best you can with who i am

more free lyrics

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Globalized Sounds

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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