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Aerosmith ~ Rats In The Cellar


Goin' under, rats in the cellar
Goin' under, skin's turnin' yellow
Nose is runny, losin' my connection
Losin' money, getting no affection

New york city blues
East side, west side lose
Throw me in the slam
Catch me if you can
Believe
That you're wearing
Tearing me apart

Safe complaining, 'casue everything's rotten
Go insanin', and ain't a thing forgotten
Feelin' cozy, rats in the cellar
Cheeks are rosy, skin's turning yellow
Lose it's party, lookin' rather lazy
See my body, pushin up a-daisies

New york city blues
East side, west side lose
Throw me in the slam
Catch me if you can
Believe
That you're wearing
Tearing me apart


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Global Music: Unbounded Sound Waves
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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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